Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
St. Vincent turns desire, power, loneliness, and excess into neon-lit art rock on 2017’s MASSEDUCTION. Working with producer Jack Antonoff, Annie Clark surrounds razor-sharp guitar work with glossy synths, distorted beats, and some of her most direct songwriting. “Los Ageless” and “Pills” are strange, addictive bursts of electronic pop, while “New York” and “Happy Birthday, Johnny” strip away the spectacle for something far more intimate.
Sleek on the surface and wonderfully strange underneath, MASSEDUCTION is pop music with an art-school streak-seductive, anxious, theatrical, and just a little unhinged.
St. Vincent turns desire, power, loneliness, and excess into neon-lit art rock on 2017’s MASSEDUCTION. Working with producer Jack Antonoff, Annie Clark surrounds razor-sharp guitar work with glossy synths, distorted beats, and some of her most direct songwriting. “Los Ageless” and “Pills” are strange, addictive bursts of electronic pop, while “New York” and “Happy Birthday, Johnny” strip away the spectacle for something far more intimate.
Sleek on the surface and wonderfully strange underneath, MASSEDUCTION is pop music with an art-school streak-seductive, anxious, theatrical, and just a little unhinged.